Category Archives: Northshore Voice Lessons
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BREATHING FOR SINGERS
RIB CAGE AND DIAPHRAGM
The chest may be compared with a cage made of jointed framework. However proper breathing is not to allow the breath to enter the chest. A low breath in the rib cage and diaphragm helps to control stress and tension within the face and shoulders. The ribs which compose the framework are attached to the breast bone in front and the spine at the back. The lower or floating ribs are attached to each other in front and not to the breast bone and so are capable of greater movement which has an effect on respiration as will be seen later. The floor of the chest is the diaphragm, a large dome shaped muscle, which is attached by fibers to the spine, the ribs, and the sternum (There sternum, or breast bone, is the bone running from the neck to the stomach and having ribs articulated with it at the breast bone). The part of the abdominal muscles principally concerned with breathing is that portion which lies above the waist and may be felt in the angle between the ribs below the end of the breast bone. The abdominal muscles coordinate with the diaphragm, relaxing when it contracts and contracting when it relaxes. This coordination is largely dependent upon the expansion of the chest wall. In fact, all factors concerned, ribs, diaphragm and abdominal muscles must be trained together. Satisfactory coordination can only be obtained here.
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Singing Technique and Proper Posture:
In order for breathing to flow fluently, posture is important. This exercise will help straighten your posture.
Put your back to the wall with your heels touching the wall. Put your knees a comfortable distance apart and keep your head centered on the shoulders not pressed against the wall. Lengthen your knees down until the small of the back is flat against the wall.
a. Breathe in on 6. Release the diaphragm breathe into the diaphragm, release, breathe in making sure the rib cage stays expanded while the diaphragm works.
b. Make sure the voice is centered (using your speaking voice) practice with open AH’s.
c. Practice doing other desirable vocal exercises such as AY, EE, I, OH, and OO.
d. When ready straighten knees and walk away from the wall. Using a long mirror you can see perfect posture and you will also feel as if you have grown an inch taller.
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WHAT IS YOUR VICAL RANGE?
The following are the general vocal ranges associated with each voice type using scientific pitch notation where middle C is written as C4. Some singers within these voice types may be able to sing somewhat higher or lower:[1]
- Soprano: C4–C6
- Mezzo-soprano: A3–A5
- Contralto: F3–F5
- Countertenor: E3–E5
- Tenor: C3–C5
- Baritone: G2–G4
- Bass: E2–E4
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LET’S TALK JAW...
Your jaw is an essential part of singing. Did you know that singing is not about dropping the bottom jaw. It is about lifting from the upper jaw (like a yawn or biting into an apple.) Rule of thumb let your bottom jaw be a follower not a leader.
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Singing Lessons Via Skype:
A Musical Sensation is now offering lessons through Skype! Sign up today!
victoria@amusicalsensation.com
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Finding Pitch:
Singing tips for perfect pitch
- Keeping alignment in mouth positioning
- Stay lifted from the “hindge”
- Strengthening your inner ear to match the note
- Think “upward” not “forward”.
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Learn to Sing Without Vocal Strain With These Tips:
- Low breathing technique
- Proper positioning of the lips
- Lifting the palet
- Keep your tongue in the proper position
- Let your bottom jaw be a “follower”
- Understanding “placement”
- Learning the “hinge” technique